2024 |
- Printed & Stitched. Curator: Christine Aaron
- Grace Hudson Museum, Ukiah, California
- San Jose Museum of Quilts & Textiles, San Jose, California
- Encyclopedic: Weathered Volumes, The Main Gallery, Menlo Park, California *
- XXIII International Image Festival, Manizales and Bogotá, Columbia
- Books Undone 2: the art of altered books, The Gallery at Penn College,
Williamsport, Pennsylvania. Juror: Scott McCarney
- Hungry Thirsty, Gallery Rama, San Francisco, California. Curator: KayTea Petro
- Resonance in Print, Sonoma Community Center, Sonoma, California
- Marrying Form and Concept in Conceptual Art in The California Printmaker, 2024. Editor: Bob Rocco
- What's Cookin'?: Art about food, culture and community, Palo Alto Art Center, Palo Alto, California,
Juror: Greg Flood. Juror's Award
- Hand Bookbinders of California Annual, San Francisco Public Library, San Francisco, California
- An Art Life, Art Bias, San Carlos, California *
- Encyclopedic: Weathered Volumes, The Mountain View Center for Performing Arts, Mountain View, California *
- Sheridan Prize for Art: Sculpture, Honorable Mention for You are the Tree
|
2023 |
- The de Young Open 2023, de Young Museum, Fine Arts Museums of San Francisco, San Francisco, California
- Kinship with Birds in Flight and Plight, Kunstmatrix, Women Eco Artist Dialog. Juror: Jane Kim
- Hops Ahead: The Art of Alternate Histories, Presents, and Futures,
MIT Trope Tank, MIT, Cambridge, Massachusetts. Curators: Clara Fernandez-Vara and Nick Montfort
- Encyclopedic: Weathered Volumes, Rinconada Library, Palo Alto, California *
- Bound and Unbound VII, University Libraries, University of South Dakota, Vermillion, South Dakota. Juror: Brian Dettmer
- Westward Bound II, Spark Gallery, Denver, Colorado. Juror: Anna Bernhard
- C O N T E N T, The Artery, Davis, California. Curated by Adele Shaw and Nikki Thompson
- Hand Bookbinders of California Annual, Arion Press Gallery, San Francisco, California
- Printed & Stitched. Curator: Christine Aaron
- Art Ark Gallery, San Jose, California
- Grace Hudson Museum, Ukiah, California
- EcoArt: Envisioning Strategies and Solutions, Art Works Downtown, San Rafael, California. Curator: Deanna Pindell
- Truth: Artist Books and Broadsides, Gallery Route One, Pt. Reyes Station, California. Curator: Sas Colby
|
2022 |
- Standout Prints, Highpoint Center for Printmaking, Minneapolis, Minnesota. Juror: William Villalongo
- Hops Ahead: The Art of Alternate Histories, Presents, and Futures,
International Conference on Interactive Digital Storytelling, UCSC, Santa Cruz, California. Curators: Clara Fernandez-Vara and Nick Montfort
- The Fierce Urgency of Now: Socially Engaged Printmaking, Janet Turner Print Museum,
Chico, California. Juror: Aaron S. Coleman
- A Material Book in Which We Compile Conceptual Books, Editors: Carley Gomez and Levi Sherman, Partial Press, Madison, Wisconsin
- The Swimmers: New Monoprints, The Main Gallery, Menlo Park, California *
- On Longing, Rinconada Library, Palo Alto, California *
- TEXTural, Live Worms Gallery, San Francisco, California. Curator: Elizabeth Ashcroft
|
2021 |
- Embodied Forests, Ecoartspace, Juror: Lilian Fraiji
- UNSEEN, form & concept, Santa Fe, New Mexico. Curators: Barb Tetenbaum, Jordan Eddy, Erin Mickelson
- The Art of the Book, Seager Gray Gallery, Mill Valley, California
- TEXTural, Live Worms Gallery, San Francisco, California. Curators: Agneta Falk and Elizabeth Ashcroft
- C O N T E N T, The Artery, Davis, California. Jurors: Adele Shaw and Nikki Thompson
- Searching for Meaning, Gallery Route One, Pt. Reyes Station, California. Juror: Dana Harris Seeger
- Extraction: The Megazine, The CODEX Foundation, Samual Pelts, ed., 2021
|
2020 |
- Emotional Numbness: The impact of war on the human psyche and ecosystems,
Platform 3, Tehran, Iran. Curators: Atefeh Khas and Minoosh Zomorodinia
- Hidden Voices: Aesthetics of Change, Woodbury Art Museum, Orem, Utah. Juror: Ashlee Whitaker
- You Are The Tree, Redwood City Art Kiosk, Redwood City, California. Curator: Lance Fung/FC Projects and Redwood City Improvement Association *
- First Impressions, Davis Art Center, Davis, California
|
2019 |
- Perception of Place, Pacific Grove Art Center, Pacific Grove, California. Juror: Marianne McGrath
- Eco Echo: Unnatural Selection, Gallery Route One, Point Reyes Station, California
- Printmaking Residency & Exhibition, Palo Alto Art Center, Palo Alto, California
- Bound and Unbound V, University of South Dakota, Vermillion, South Dakota. Juror: Jessica Drenk
- Redwood City Play Festival: Gender Shorts, Redwood City, California. Curator: Stacey Ardelean
- 13th Annual California Centered: Printmaking Exhibition, Merced County Arts Council, Merced, California. Juror: Joseph Tipay
- HBC 47: Handbookbinders of California, Skylight Gallery, San Francisco Public Library, San Francisco, California
- Traditional Techniques: Contemporary Prints, The Barn Gallery, Woodland, California
- Print It!, Village Theatre Art Gallery, Danville, California
- On Longing and Other Stories, Mohr Gallery, Finn Center, Mountain View, California *
- Remarkable Lives: The Intertwined Worlds of Birds and Humans, Valene L. Smith Museum of Anthropology,
California State University Chico, Chico, California
|
2018 |
- On Longing and Other Stories, Mohr Gallery, Finn Center, Mountain View, California *
- Eco Echo: Art and Environment Laboratory, ARTLab Gallery, Cubberly Artist Studios, Palo Alto, California
- Food Glorious Food, The Art Center-Highland Park, Highland Park, Illinois
- Bibliophoria V, Sebastopol Center for Arts, Sebastopol, California. Curator: Macy Chadwick
- Tales of the Sea, South Haven Center for the Arts, South Haven, Michigan.
- Betweenscapes, SOMArts, San Francisco, California. As a part of Al-Mutanabbi Street Starts Here
- Points of Departure, Bridge ARTSpace Gallery, Richmond, California
- Bookworks, San Francisco Center for the Book, San Francisco, California
- Eco Echo: Unnatural Selection, WORKS San José, San José, California
- Global Matrix IV International Print Exhibition, Cleveland State University, Cleveland, Ohio
|
2017 |
- The Art of Our Century, Woodbury Art Museum, Oren, Utah. Juror: Nick Mendoza
- The Art of the Book, Seager/Gray Gallery, Mill Valley, California
- Bound and Unbound IV, University South Dakota, Vermillion, South Dakota. Juror: Eli Show
- #Resist, Nave Gallery, Somerset, Massachusetts. Curators: Susan Berstler and Greg Cook
- Art of Gastronomy II, Healdsburg Center for the Arts, Healdsburg, California. Jurors: Franco Dunn, Vicky Kumpfer and Diana Jameson
- Celebrate!, Anderson Academic Commons, University of Denver, Denver, Colorado. Juror: Sha Towers
- 2017 Wheaton Biennial: Printmaking Reimagined, Beard & Weil Galleries, Wheaton College, Norton, Massachusetts. Juror: Andrew Raftery
- Global Matrix IV International Print Exhibition, Traveling exhibition
- Robert L. Ringel Gallery and the Stewart Center Gallery at Purdue University, West Lafayette, Indiana
- Wright State University, Fairborn, Ohio
- Idaho Booker's Dozen 2017, Traveling exhibition, Idaho Center for the Book, Boise State University, Boise, Idaho. Juror: Stephanie Bacon
|
2016 |
- Al-Mutanabbi Street Starts Here: Transcendent Hope, Rosenberg Library, City College of San Francisco. Curator: Art Hazelwood
- words|matter, Arts on Elston, Chicago, Illinois. Curator: Eileen Madden
- Politics (NOT) as Usual, Branner Spangenberg Gallery, Redwood City, California. Curator: Martha Branner
- Anne and Mark's Art Party, San Jose, California. Curators: Anne and Mark
- Shapeshifting Texts, International Conference on Digital Media and Textuality, Bremen, Germany. Curator: Daniela Côrtes Maduro
- Absence and Presence: A Printmaking Response to the Bombing of Al-Mutanabbi Street
- Graphic Arts Workshop, Scuola Internaziale di Grafica, Venice, Italy
- The Art of the Book, Sebastopol Center for Arts, Sebastopol, California. Curator: Betsy Davids. Merit Award
- Wanderlust, 23 Sandy Gallery, Portland, Oregon. Curator: Laura Russell
- Home, Art Ark Gallery, San Jose, Cupertino, California. Curator: Valerie Raps
- Look! Book Arts, Healdsburg Center for the Arts, Healdsburg, California. Curator: Cheryl Itamura
- Flow, 23 Sandy Gallery, Portland, Oregon. Curator: Laura Russell
- Nothing is Here: DaDa is its name, Branner Spangenberg Gallery, Redwood City, California. Curator: Michael Paulker
- Contemporary Book Arts, Geisel Library, Saint Anselm College, Manchester, New Hampshire. Curators: Kimberly Kersey Asbury and Alicia Bailey
- An Inventory of Al-Mutanabbi Street
- The Collins Gallery, Multnomah Central Library, Portland, Oregon
- Kaleider, Exeter, U.K.
- George Mason University, Fairfax, Virginia
- The Frank & Katrina Basile Gallery at the Herron School of Art and Design, The Herron Art Library of IUPUI University
- The Printed Page II, Abecedarian Gallery, Denver, Colorado. Juror: Sarah Carter
- Lovers and Other Strangers, Branner Spangenberg Gallery, Redwood City, California. Curator: Martha Branner and Michael Paulker
|
2015 |
- Book Arts Preview Exhibition, Geisel Library, Saint Anselm College, Manchester, New Hampshire. Curators: Kimberly Kersey Asbury and Alicia Bailey
- words|matter, Arts on Elston, Chicago, Illinois. Curator: Eileen Madden
- Elemental, Art Ark Gallery, San Jose, California. Curator: Jamilla Rufaro
- Bookish, San Pablo Art Gallery, San Pablo, California. Curator: Jamilla Rufaro
- Mooncakes, Churros, and Cherry Pie, The Euphrat Museum, Cupertino, California. Curator: Diana Argabrite
|
2014 |
- Absence and Presence: A Printmaking Response to the Bombing of Al-Mutanabbi Street, San Francisco Center for the Book,
San Francisco, California. Curators: Art Hazelwood and Mary Austin
- L.A.S.E.R. UC Davis, Davis, California. Curator: Anna Davidson
- Book Art Art Book, Crawford Campus Center Gallery, The Episcopal Academy, Newtown Square, Pennsylvania. Curator: Susan Coote
- (This is Ourselves) Under Pressure!, 1890 Bryant Street Studios, Paper on the Press 2014, San Francisco, California. Curator: Anne Beck
- Bookworks 2014, San Francisco Public Library, San Francisco, California
- An Inventory of Al-Mutanabbi Street
- Central Library of Rochester and Monroe County - Rochester, New York
- Monumental Ideas in Miniature Books III, SGCI at San Francisco State University and traveling
- The Printed Page, Abecedarian Gallery, Denver, Colorado. Juror: Aaron Cohick and Jessy Randall
- Deep Reading, The Euphrat Museum, Cupertino, California. Curator: Diana Argabrite
- Commission for Lauren Gunderson's Silent Sky, TheatreWorks, Mountain View Center for Performing Arts, California
- Undercurrents, Peninsula Museum of Art, Burlingame, California
- Artist Book Commission: Awagami Paper/Awagami Museum, Japan
- 85 Years, Menlo College Art Gallery, Menlo College, Menlo Park, California
- Cornered, J. Willard Marriott Library, The University of Utah, Salt Lake City, Utah
- Animated Type Showcase. Curators: Barb Tetenbaum and Marilyn Zornado
- CBAA Conference, The University of Utah, Salt Lake City, Utah
- Northwest Animation Festival, Portland, Oregon
|
2013 |
- Digital Textualities, Women Shift Digital Conference, London, U.K. Curator: Maria Mencia
- 0P3NR3P0.NET, Furtherfield Gallery, London
- The Sheffield International, Bank Street Arts, Sheffield, England
- Poignant to Playful: Pop Up and Movable Books, 23 Sandy Gallery, Portland, Oregon. Curator: Laura Russell
- The Politics of _______, PRESS Gallery, North Adams, Massachusetts. Curator: Melanie Mowinski
- DIY (Visits Chicago): Photographers and Books, The Center for Book and Paper, Columbia College, Chicago. Jurors: Greg Harris, Karen Irvine, Jessica Cochran, and Steve Woodall.
- Public Art Commission for New Works Festival, Lucie Stern Theatre, TheatreWorks, Palo Alto, California
- Character Profile, Root Division, San Francisco, California. Curator: Jon Fischer
- Rio Grande Review Digital Edition, University of Texas at El Paso. Editors: Scott Rettberg, Leonardo Flores and Juan Pablo Plata
- 500 Handmade Books, Volume Two, Lark Books. Curator: Julie Chen
- An Inventory of Al-Mutanabbi Street
- The John Rylands Library, Manchester, UK
- The Cambridge Arts Council, Cambridge, Massachusetts
- Center for Book Arts, New York City
- Literary & Philosophical Society Library, Newcastle upon Tyne, U.K.
- Earth Science Art, USGS Headquarters, Reston, Virginia. Curator: Lisa Hochstein
- Glyph: Text in Art, Art Ark Gallery, San Jose, California. Curator: Susanna Davy
- The Book As Art, Cooperative Gallery, Binghamton, New York. Curator: Margaret Johnston
|
2012 |
- Diverse Paths, public art commission for the Palo Alto Art Center, ZERO1 San Jose *
- Feminism and the Artist's Book, Central Booking, Brooklyn, New York. Curator: Maddy Rosenberg
- Posted, Printmaking Center of New Jersey, Branchburg, New Jersey. Curator: Jessica Peterson
- How to Read a Book: an artists' books reading room, Lawton Gallery, University of Wisconsin-Green Bay. Curator: Stephen Perkins
- X Libris, Root Division, San Francisco, California. Curator: MicroClimate Collective
- Fukushima Biennale 2012, Fukushima, Japan. Curator: Koichi Watanabe
- EarthScienceArt, R. Blitzer Gallery, Santa Cruz, California. Curator: Lisa Hochstein
- The New River: a journal of digital writing and art, Spring 2012, Virginia Tech, Virginia. Editor: Khalilah Boone
- Man as Object: Reversing the Gaze, The Kinsey Institute Gallery, Bloomington, Indiana. Curator: Karen Gutfreund
- Artists' Book Cornucopia III, Abecedarian Gallery, Denver, Colorado. Juror: Tony White
- Bookstore, Drift Station, Lincoln, Nebraska
- Florigenium, an anthology of digital poetics by Patricia Minks, University of Vienna, Austria
- DYAD, Art Ark Gallery, San Jose, California. Curator: Valerie Raps
- FILE RIO 2012, Media Art Gallery, Oi Futuro-Flamengo, Rio de Janeiro, Brazil
- The Altered Book, Marin Museum of Contemporary Art, Novato, California
|
2011 |
- Encoded Structures: Interpreting the Story, Handmade & Bound, Watkins College of Art, Nashville, Tennessee. 2nd Place Award
- Uncommon Threads, 23 Sandy Gallery, Portland, Oregon. Curator: Laura Russell. Best of Show Award
- 15th Anniversary Exhibition, San Francisco Center for the Book, San Francisco, California. Curators: Mary Austin & Kathleen Burch
- Man as Object: Reversing the Gaze, SOMArts Cultural Center, San Francisco. Curator: Tanya Augsburg
- The Asian Connection: Art in a Global Age, Asian Arts Gallery at Towson University, Towson, Maryland. Curator: J. Susan Isaacs
- The Electronic Manuscript, Curator: Judy Malloy
- Bibliophoria II, Sebastopol Center for the Arts, Sebastopol, California. Juror: Sas Colby
- FILE 2011, Galeria de Arte do SESI, São Paulo, Brazil
- Bookworks, San Francisco Public Library, San Francisco, California
- The Join and Cast Guide to Contemporary Art, Phoenix, Arizona
- Re-generation, selected works from the Web Biennial at Plato Sanat, Istanbul. Curator: Marcus Graf
- The Altered Book, Marin Museum of Contemporary Art, Novato, California. Juror: Donna Seager. Honorable Mention
- Elemental, Krause Center for Innovation, Los Altos Hills, California
- Kindred Spirits, Butte College, Oroville, California
- Benefit, WORKS/San Jose, San Jose, California. Curators: Jennifer Campbell & Catherine Akins
|
2010 |
- IDEAS10: Art and Digital Narrative, IDMAA, Emily Carr University, Vancouver, Canada. Curator: Dena Eber
- Wild Culture: Ecological Perspectives, Roy C. Moore Art Gallery, Gainesville State College, Oakwood, Georgia. Curator: Beth Sale
- Bay Area Book Artists, Olive Hyde Art Gallery, Fremont, California
- Illuminated Ark, Art Ark Gallery, Zer01 San Jose, San Jose, California. Curator: Valerie Raps
- Identity, Roy C. Moore Art Gallery, Gainesville State College, Oakwood, Georgia. Curator: Beth Sale
- The Altered Book, Marin Museum of Contemporary Art, Novato, California
- Proximity Mag 007
- The Mythical State of Jefferson, The Schneider Museum of Art, Southern Oregon University, Ashland, Oregon. Curator: Michael Crane
- Show and Bestow, Clarence Ward Art Library, Oberlin College, Oberlin, Ohio
- FLAT Journal, Editor: Karol Shewmaker
- Celebrate!, JavaMuseum: Forum for Internet Technology in Contemporary Art. Curator: Wilfried Agricola de Cologne
|
2009 |
- Miniature Artists' Books by American Artists, Baku Biennale Aluminium, Baku, Azerbaijan. Curator: Suzanne Reese-Horvitz
- Visual Communication Quarterly, Volume 16, Number 3, July - September 2009, Special Edition: Analog Interactivity. Editor: xtine
- Show and Bestow: the Ruth Hughes Collection of Artists' Books, Free Library of Philadelphia, Philadelphia, Pennsylvania
- BookOpolis 09, Asheville Bookworks, West Asheville, North Carolina
- soundsRite, University of Western Sydney, Austraila. Curators: Hazel Smith & Roger Dean
- Breaking the Space, Speculum Artium '09, Delavski Dom Trbovlje, Trbovlje, Slovenia. Curator: Evelin Stermitz
- Polyglot: Expressive Media in Book Arts, Gualala Arts Center, Gualala, California. Curator: Penny Nii
- Digital Art and Narrative, Computers and Writing 2009 Conference, UC Davis, Davis, California. Curator: Jonathan Alexander
- The Doll Show, Olive Hyde Art Gallery, Fremont, California
- Conversations, Dr. Martin Luther King, Jr. Library at San José State University, San José, California
- 100Quotes, RomaEuropa Fakefactory.
|
2008 |
- Dog-Eared, Purdue University, West Layfayette, Indiana
- The Art of Democracy, Booksmart Studio Gallery, Rochester, New York
- Balancing Perspectives: East Asian Influences in Contemporary Art, JFKU, Berekely, California. Curators: Mike Grady & Robert Melton
- Good Buy: Cruel World, Space 47, San Jose, California
- Portraits, Vino Locale, Palo Alto, California *
- Art and Politics ‘08, The Showroom Gallery at Hub-Bub, Spartanburg, South Carolina
- DigitalArt.LA, Los Angeles Center for Digital Art, Los Angeles, California. Curator: Rex Bruce
- What Does Compassion Look Like?, ArtXchange Gallery, Seattle, Washington. Curator: Lauren Davis
- Visionary Landscapes, ELO, Vancouver, Washington. Curator: Dene Grigar
- 21st Stuttgart Filmwinter: Festival for Expanded Media, Stuttgart, Germany
- Meaning Maker, The Portland Art Center, Portland, Oregon
- Inscribing Meaning: Context of Text in Visual Art, GCSU Museum Focus Gallery, Milledgeville, Georgia. Curator: Shannon Morris
- The Qi Project, The Krause Center for Innovation Art Gallery, Los Altos Hills, California *
- FILE Rio 2008, Oi Futuro, Rio de Janeiro, Brazil
- Meaning Matters: Projects from PreNeo Press, The Humanities Center Gallery, Chico, California *
- Artist Residency, Kala, Berkeley, California
|
2007 |
- Moving Cultures (. . . all over the map), Euphrat Museum, Cupertino, California. Curator: Jan Rindfleisch
- Crossroads, Rhonda Schaller Studio, New York, New York
- FILE 2007, Galeria de Arte do SESI, São Paulo, Brazil
- Corporate Art Expo '07, The Lab, San Francisco, California. Curator: Shane Montgomery
- cyber feminism past forward, Vienna, Austria. Curator: Evelin Stermitz
- Access, Rhonda Schaller Studio, New York, New York
|
2006 |
- Pabellon dd, Juan Ismael Art Center, Puerto del Rosario, Canary Islands, Fuerteventura, Spain
- Bound to Inspire, Olive Hyde Art Gallery, Fremont, California
- FILE Rio, Telemar Cultural Center, Rio de Janeiro, Brazil
- The Art of Book Art, 1212 Gallery, Burlingame, California
- Launch: Projects by PreNeo Press, Krause Center for Innovation Gallery, Los Altos Hills, California *
|
2005 |
- The Encouraging Force of Nature, Coyote Point Museum, San Mateo, California
- FILE 2005, Galeria de Arte do SESI, São Paulo, Brazil
- Wiseman Gallery, Grants Pass, Oregon *
- Thailand 3rd New Media Arts Festival, Bangkok, Thailand.
- Shared Passions, Euphrat Museum, Cupertino, California. Curator: Jan Rindfleisch
- Descriptors, Merced College Art Gallery, Merced, California *
- ebaybies, Humanities Center Gallery, CSU Chico, Chico, California *
|
2004 |
- Slippage: Wording the Thought Bubble, Works/San José, San José, California *
- Beauty and the Beast, Athens Institute of Contemporary Art, Athens, Georgia
- Touch my Books, Los Gatos Museum of Art, Los Gatos, California
- A Book in Hand, Diablo Valley College, Pleasant Hill, California
- [Remembering] [Repressing] [Forgetting], Biennale of Electronic Art Perth/Australia
- WitchCraft, JavaMuseum, Australia. Curator: Agricola de Cologne
- Publish or Perish at INFEST: Artists Run Culture, Open Space Resource Centre, Victoria, British Columbia
|
2003 |
- Pabellon dd at Observatori 03, Valencia, Spain
- Assumptions, Exit Gallery, University of Nevada, Reno *
- Intervals (forms and variatons on relational space), Artists Television Access, San Francisco, California
- Interfacing Ideas, Blue Room Gallery, San Francisco, California. Curator: Erika Gentry
- Digital Visions, University of British Columbia, Canada
- ChiangMai First New Media Art Festival, CMU Art Museum, Chiang Mai, Thailand
|
2002 |
- ISEA 2002, Nagoya, Japan
- WORD PLAY: Electronic Flipbooks, Krause Center for Innovation, Foothill College, Los Altos Hills, California *
- 5th International Meeting of Experimental, Sound and Visual Poetry, Buenos Aires, Argentina
- The Political Woman, WMG, Chicago, Illinois
- SIGGRAPH 2002, San Antonio, Texas
- Assumptions: Performative Texts, Serra House, Institute for Research on Women and Gender, Stanford, California *
- Electronic Literature Organization's State of the Arts Symposium Gallery, Los Angeles, California
- 15th Stuttgart Filmwinter: Festival for Expanded Media, Stuttgart, Germany
|
2001 |
- Lasers in the Jungle: Humans & Technology, University of the Pacific, Stockton, California
- New Media Connections, The Tech Museum of Innovation, San Jose, California.
- The Impact of YLEM, SOMARts, San Francisco, California
- wigged.net, online venue for time-based art
|
2000 |
- Fuzzy Logic, Southern Exposure at Project Artaud, San Francisco, California
- 72nd Crocker Kingsley Exhibition, Crocker Art Museum, Sacramento, California
- Book Nook, WORKS/San Jose, San Jose, California
- Commission, from Tapestry & Talent of San Jose for creation and exhibition of Belief Manifesto
|
1999 |
- Artists' Books, Art from Books, Sketchbooks, Sunnyvale Arts Center,
Sunnyvale, California
- ART-TECH at West Valley, West Valley College Art Gallery, Saratoga,
California
- A Good Read. Selections from the book arts, Euphrat Museum, Cupertino,
California
- Digital Arts Pavilion, Palo Alto Festival of the Arts, Palo Alto,
California
- The Archaeology of Being, WORKS San José, San Jose, California *
|
1998 |
- Psychic, Spiritual, Physical, and/or Emotional Baggage, The Luggage
Store, San Francisco, California
- Nothing But Time, Southern Exposure at Project Artaud, San Francisco,
California
- Bound to Amaze You, Koret Gallery, Palo Alto, California
- Art of the Digital Age, City Gallery, San Jose, California
- Serious Play in Search of Meaning, Skyline College,
San Bruno, California *
- A White Glove Affair, Los Gatos Museum, Los Gatos, California
|
1997 |
- Chik Tek '97: Women Artists Defining Technology, ART-TECH, San Jose, California. Curator: Monica Vacilescu
- Bay Arts '97, Belmont, California. First Place Award
- Public Art Grant, San Mateo County Philanthropic Ventures Foundation
|
|
Public and Institutional Collections |
|
- Achenbach Foundation for Graphic Arts, Fine Arts Museums of San Francisco, San Francisco, California
- Almutanabbi Street Starts Here archive, Rare Book and Manuscript Library, Butler Library, Columbia University, New York, New York
- Hall of Awa Japanese Paper Museum, Yoshinogawa, Tokushima, Japan
- Bainbridge Island Museum of Art, Cynthia Sears Artist's Book Collection, Bainbridge Island, Washington
- Bank Street Arts, Artists' Book Collection, Sheffield, U.K.
- Baylor University, Waco, Texas
- Book Arts Program at the J. Willard Marriott Library, University of Utah
- Brown University, Hay Library, Special Collections, Poetry Collection
- College Book Arts Association
- Columbia College, Chicago, Illinois
- Cornell University Library, Ithica, New York
- Denison University, Doane Library, Special Collections
- Duke University, Durham, North Carolina
- George Mason University, Fenwick Library, Special Collections, Fairfax, Virginia
- Harvard University Fine Arts Library
- Kansas City Art Institute, Kansas City, Missouri
- Maryland Institute of Art, Decker Library, Special Collections
- Mills College, F.W. Olin Library, Oakland, California
- Minnesota Center for the Book, Minneapolis, Minnesota
- Massachusetts Institute of Technology, Rotch Library, Cambridge, Massachusetts
- Museum of the Miniature Book, Baku, Azerbaijan
- New York Public Library, Schomburg Center, Special Collections, New York
- The Oakland Museum of California, Oakland, California
- Otis College of Art & Design, Library, Artist Book Collection
- Pacific Northwest College of Art, Portland, Oregon
- Queen Elizabeth II Library Special Collections, Memorial University, St. John's, Newfoundland
- Ray Ashley Collection of contemporary South Bay art, Triton Museum of Art, Santa Clara, California
- REI Co-op, Seattle, Washington
- Ringling College of Art, Sarasota, Florida
- The Ruth Hughes Artists' Book Collection, Oberlin College, Ohio
- San Jose State University, King Library, Special Collections
- San Francisco Center for the Book, San Francisco, California
- San Francisco Public Library, Main Library Special Collections, San Francisco, California
- Santa Clara University, Library Special Collections, Santa Clara, California
- Savannah College of Art and Design, Savannah, Georgia
- School of the Museum of Fine Arts Library, Boston, Massachutes
- Southern Graphics Council International
- Stanford University Libraries, Stanford, California
- Staatsbibliothek zu Berlin, Berlin, Germany
- Staatsbibliothek zu Berlin, Kinder, Berlin, Germany
- Telavi Iakob Gogebashvili State University, Artists' Books Collection, Republic of Georgia
- The Center for the Study of the Book, The Bodleian Libraries, University of Oxford, Oxford, United Kingdom.
- The University of Akron, Akron, Ohio
- Tufts University of Akron, Akron, Ohio
- University of California, Berkeley, Bancroft Library, Special Collections
- University of California, Berkeley, Environmental Design Library, Special Collections
- University of California, Davis, Shields Library, Special Collections, Davis, California
- UCLA Arts Library, Special Collections, Los Angeles, California
- UCLA Darling Biomedical Library, Special Collections, Los Angeles, California
- University of California, Santa Cruz, McHenry Library, Special Collections
- University of Colorado, Norlin Library Special Collections, Boulder, Colorado
- University of Delaware, Library, Special Collections
- University of Iowa Library, Iowa City, Iowa
- University of Michigan Library, Ann Arbor, Michigan
- University of Pennsylvania
- University of San Diego, Copley Library, Special Collections
- University of Utah Rare Book Archives
- University of Washington Libraries, Special Collections
- University of Wisconsin, Green Bay, Wisconsin
- Washington State University Vancouver, E-Lit Collection
|
|
Curation |
|
- Entanglements3: A curated collection of contemporary culture, 2024.
Available through Hunger Button Books
- Entanglements2: A curated collection of contemporary culture, 2023.
Available through Hunger Button Books
- Biophilia: Humans and the Natural World,
WORKS/San San José, San José, California, 2023
- Entanglements: A curated collection of contemporary culture, 2022.
Available through Hunger Button Books
- Pathways: An exhibition about mapping, navigation wanderlust and borders, Art Ark
Gallery, San Jose, California, 2022
- Women Eco Artists Dialog: The Legacy of Jo Hanson.
The Barn Gallery, YoloArts, 2020, with Janice Purnell
- Eco Echo: Unnatural Selection,
WORKS/San San José, San José, California, 2018
- Bay Area Book Artists. Menlo Park Library, Menlo Park, California, 2014
- Digital Humanities. New Works Festival, Palo Alto, California, 2013, with Tom Bruett
- Dolled Up!, Gualala Art Center, Gualala, California, 2011, with Jane Reichhold
- Conceptually Bound 3. University Art Gallery, California State University,
Chico and Mohr Gallery, Community School of Music and Art, 2007–2008
- Slippage: fragilities and instabilities in the phenomena of meaning. ISEA/ZeroOne San Jose, 2006
- Small Colored Squares. Humanities Center Gallery, CSU Chico, Chico, California, 2005
- Conceptually Bound 2. Coyote Gallery, Butte College, Oroville, California, 2002
- Conceptually Bound. 1078 Gallery, Chico, California, 2001
- Making Meaning: Banners & Icons by Kent Manske. Humanities Center Gallery,
CSU Chico, Chico, California, 2000
- Narrative Structures. ART-TECH: Silicon Valley Institute of Art and Technology,
San Jose, California, 1998, with Monica Vasilescu
|
|
Bibliography |
|
- Akhil Joondeph, "A feast for the eyes: Palo Alto Art Center’s latest exhibit explores cuisine,
community and culture", Embarcadero Media: Palo Alto Online, Redwood City Pulse; June 21, 2024<>/li>
- Fine Arts, Fall 2023, Fine Arts Museums of San Francisco
- Carly Gomez and Levi Sherman, "THINKING BOOKS" in Book Art Theory, College Book Art Association, August 1, 2023
- Jessica Yadagaran, "The fascinating world of book arts: 3 Bay Area makers share their stories",
San Jose Mercury News/Bay Area News Group, January 15, 2023
- "Exhibit features one-of-a-kind prints inspired by nature" Palo Alto Online, June 9, 2022
- YoloArts, "Interview with the Curators of Women Eco Artists Dialog: The Legacy of Jo Hanson"
yoloarts.org/2020/04/14, April 2020
- Nick Bradley, "You are the tree: Redwood City exhibit incorporates local business byproducts into commentary"
The Daily Journal, March 7, 2020
- Karla Kane, "In new Redwood City artwork, the community is the tree"
Palo Alto Weekly, February 2020
- Roots and Offshoots: Silicon Valley's Arts Community, by Jan Rindfleisch,
Ginger Press, 2017
- Anna Koster, "Peninsula Artists Sign up for Anne and Mark's Art Party"
The Mercury News, September 2016
- J.R. Carpenter, "Translation, transmutation, transmediation, and transmission"
TRANS.MISSION [A.DIALOGUE] Le laboratoire de recherches sur les oeuvres hypermediatiques, 2014
- Samira Nadkarni, "Storyland" I Love E-Poetry, February 2014
- Literary Gaming by Astrid Ensslin, The MIT Press, 2014
- Scott Rettberg, "Human Computation in Electronic Literature"
Handbook of Human Computation edited by Pietro Michelucci, 2013
- Digital Prohibition: Piracy and Authorship in New Media Art
by Carolyn Guertin, Continuum, 2012
- Contemporary Literature: The Basics, by Suman Gupta, Routledge, 2012
- Scott Rettberg, "Dada Redux: Elements of Dadaist Practice in Contemporary Electronic Literature"
Fiberculture Journal, Digital Art & Culture Conference Perth, Issue 11, 2008
- Debra Koppman, "Moving Cultures at The Euphrat Museum of Art" Artweek, December 2007
- Sonia Easaw, "Exhibit pushes limits: Cultural boundaries confronted in latest exhibit at Euphrat" La Voz, October 2007
- Aimee Le Duc, "Corporate Art Expo '07 at The LAB" Artweek, June 2007
- Stephanie Ellis, "Corporate Art Expo '07" Stretcher, May 2007
- Todd Berman, "Meaning Maker at The Lab" The Art DonÕt Stop.org, April 2007
- Yasser Rashid, "Slippage" Furtherfield, August 2006
- Celeste Connor, "Bound to Inspire at Olive Hyde Gallery" Artweek, March 2006
- Theory Into Poetry: New Approaches to the Lyric edited by Eva Muller-Zettelmann, Eva Muller-Zettelmann Margarete Rubik, Rodopi, 2005
- Edith Decker, "Wiseman features prints, installation" Grants Pass Daily Courier, October 1, 2005
- MaryRose Lovegren, "Precious and Scary" Chico News & Review, March 5, 2005
- Megan Kumler, "Wylde at Merced College" Blue Devil's Advocate, March 2005
- Lauren Evans, "Dolling Up Online Auctions" The Orion, March 2, 2005
- Anita Amirresvani, "Tactile Texts" San Jose Mercury News, July 3, 2004
- Nora Raggio, "Slippage at Works" Works San Jose Newsletter, Spring 2004
- Elizabeth Joe, essay and interview, Digital Visions, May 2003
- neural.it, net.art review, April 2003
- Stuttgarter Zeitlung online, net.art review, January 2003
- Scott Brennan-Smith, "Reading Art" Chico News & Review, October 3, 2002
- Shannon Re, "Art You Can Touch" The Roadrunner, October 7, 2002
- Dena Eber, "SIGGRAPH 2002 Art Gallery: Process and Product" Computer Graphics, Vol. 36 No.3, Summer 2002
- Miki Kanai, Web Reviews n. paradoxa, Vol.10, 2002
- Sarah Ratchye, "Art at the Institute" Institute for Research on Women and Gender, Vol.27, No. 2, Spring/Summer 2002
- Zu Vincent, "Conceptually Bound at 1078 Gallery" Artweek, Vol. 32 No. 6, June 2001
- "Page Turners" Chico News & Review, Vol. 24, No. 39, 4/19/2001
- Melissa Gulden, "Practice What You Teach" The Orion, Vol.41 Issue 2, September 1998
- Terri Cohn, "Chik Tek '97 at Art-Tech" Artweek, Vol. 29 No. 2, February 1998
- Chiori Santiago, "Where serious art is child's play" San Jose Mercury News, December 21, 1997
- Ann Elliott Sherman, "Return to Gender" Metro , December 11, 1997
- The Application of a Feminist Aesthetic to Computer-mediated Art by J. Dawn Mercedes, Ohio State University, 1996
- Painter 5 F/x, Sherry London, Rhoda Grossman, Sharron Evans. Chapel Hill, NC Ventana Press, 1996
- Photoshop f/x : Mac edition Abes, Cathy. Chapel Hill, NC Ventana Press, 1994
|