Nanette Wylde

nwylde at preneo dot org

Born: California
Resides: Redwood City and Chico, California
Education: MFA, Ohio State University, 1996; BA, San Jose State University, 1986.
Employment: Professor, California State University, Chico, Department of Art and Art History.

Representation:
  • 23 Sandy Gallery, Portland, Oregon
  • Abecedarian Gallery, Denver, Colorado
  • Central Booking, Brooklyn, New York
  • Vamp and Tramp, Birmingham, Alabama

    Public and Institutional Collections
    Bibliography
    Curation

    Selected Exhibitions, Distinctions and Publications
    2016
    • Shapeshifting Texts, International Conference on Digital Media and Textuality, Bremen, Germany. Curator: Daniela Côrtes Maduro.
    • Absence and Presence: A Printmaking Response to the Bombing of Al-Mutanabbi Street
      • Graphic Arts Workshop, Scuola Internaziale di Grafica, Venice, Italy
    • The Art of the Book, Sebastopol Center for Arts, Sebastopol, California. Curator: Betsy Davids.
    • Wanderlust, 23 Sandy Gallery, Portland, Oregon. Curator: Laura Russell.
    • Home, Art Ark Gallery, San Jose, Cupertino, California. Curator: Valerie Raps.
    • Look! Book Arts, Healdsburg Center for the Arts, Healdsburg, California. Curator: Cheryl Itamura.
    • Flow, 23 Sandy Gallery, Portland, Oregon. Curator: Laura Russell.
    • Nothing is Here: DaDa is its name, Branner Spangenberg Gallery, Redwood City, California. Curator: Michael Paulker.
    • Contemporary Book Arts, Geisel Library, Saint Anselm College, Manchester, New Hampshire. Curators: Kimberly Kersey Asbury and Alicia Bailey.
    • An Inventory of Al-Mutanabbi Street
      • The Collins Gallery, Multnomah Central Library, Portland, Oregon.
      • Kaleider, Exeter, U.K.
      • George Mason University, Fairfax, Virginia.
      • The Frank & Katrina Basile Gallery at the Herron School of Art and Design, The Herron Art Library of IUPUI University.
    • The Printed Page II, Abecedarian Gallery, Denver, Colorado. Juror: Sarah Carter.
    • Lovers and Other Strangers, Branner Spangenberg Gallery, Redwood City, California. Curator: Martha Branner and Michael Paulker.
    2015
    • Book Arts Preview Exhibition, Geisel Library, Saint Anselm College, Manchester, New Hampshire. Curators: Kimberly Kersey Asbury and Alicia Bailey.
    • words|matter, Arts on Elston, Chicago, Illinois. Curator: Eileen Madden.
    • Elemental, Art Ark Gallery, San Jose, California. Curator: Jamilla Rufaro.
    • Bookish, San Pablo Art Gallery, San Pablo, California. Curator: Jamilla Rufaro.
    • Mooncakes, Churros, and Cherry Pie, The Euphrat Museum, Cupertino, California. Curator: Diana Argabrite.
    2014
    • Absence and Presence: A Printmaking Response to the Bombing of Al-Mutanabbi Street, San Francisco Center for the Book, San Francisco, California. Curators: Art Hazelwood and Mary Austin.
    • L.A.S.E.R. UC Davis, Davis, California. Curator: Anna Davidson.
    • Book Art Art Book, Crawford Campus Center Gallery, The Episcopal Academy, Newtown Square, Pennsylvania. Curator: Susan Coote.
    • (This is Ourselves) Under Pressure! 1890 Bryant Street Studios, Paper on the Press 2014, San Francisco, California. Curator: Anne Beck.
    • Bookworks 2014, San Francisco Public Library, San Francisco, California.
    • An Inventory of Al-Mutanabbi Street
      • Central Library of Rochester and Monroe County - Rochester, New York.
    • Monumental Ideas in Miniature Books III, SGCI at San Francisco State University and traveling.
    • The Printed Page, Abecedarian Gallery, Denver, Colorado. Juror: Aaron Cohick and Jessy Randall.
    • Deep Reading, The Euphrat Museum, Cupertino, California. Curator: Diana Argabrite.
    • Commission for Lauren Gunderson's Silent Sky, TheatreWorks, Mountain View Center for Performing Arts, California.
    • Undercurrents, Peninsula Museum of Art, Burlingame, California.
    • Artist Book Commission: Awagami Paper/Awagami Museum, Japan.
    • 85 Years, Menlo College Art Gallery, Menlo College, Menlo Park, California.
    • Cornered, J. Willard Marriott Library, The University of Utah, Salt Lake City, Utah.
    • Animated Type Showcase. Curators: Barb Tetenbaum and Marilyn Zornado.
      • CBAA Conference, The University of Utah, Salt Lake City, Utah.
      • Northwest Animation Festival, Portland, Oregon.
    2013
    • Digital Textualities, Women Shift Digital Conference, London, U.K. Curator: Maria Mencia.
    • 0P3NR3P0.NET, Furtherfield Gallery, London.
    • The Sheffield International, Bank Street Arts, Sheffield, England.
    • Poignant to Playful: Pop Up and Movable Books, 23 Sandy Gallery, Portland, Oregon. Curator: Laura Russell.
    • The Politics of _______, PRESS Gallery, North Adams, Massachusetts. Curator: Melanie Mowinski.
    • DIY (Visits Chicago): Photographers and Books, The Center for Book and Paper, Columbia College, Chicago. Jurors: Greg Harris, Karen Irvine, Jessica Cochran, and Steve Woodall.
    • Public Art Commission for New Works Festival, Lucie Stern Theatre, TheatreWorks, Palo Alto, California.
    • Character Profile, Root Division, San Francisco, California. Curator: Jon Fischer.
    • Rio Grande Review Digital Edition, University of Texas at El Paso. Editors: Scott Rettberg, Leonardo Flores and Juan Pablo Plata
    • 500 Handmade Books, Volume Two, Lark Books. Curator: Julie Chen.
    • An Inventory of Al-Mutanabbi Street
      • The John Rylands Library, Manchester, UK
      • The Cambridge Arts Council, Cambridge, Massachusetts
      • Center for Book Arts, New York City
      • Literary & Philosophical Society Library, Newcastle upon Tyne, U.K.
    • Earth • Science • Art, USGS Headquarters, Reston, Virginia. Curator: Lisa Hochstein.
    • Glyph: Text in Art, Art Ark Gallery, San Jose, California. Curator: Susanna Davy.
    • The Book As Art, Cooperative Gallery, Binghamton, New York. Curator: Margaret Johnston.
    2012
    • Diverse Paths, public art commission for the Palo Alto Art Center, ZERO1 San Jose.
    • Feminism and the Artist's Book, Central Booking, Brooklyn, New York. Curator: Maddy Rosenberg.
    • Posted, Printmaking Center of New Jersey, Branchburg, New Jersey. Curator: Jessica Peterson.
    • How to Read a Book: an artists' books reading room, Lawton Gallery, University of Wisconsin-Green Bay. Curator: Stephen Perkins.
    • X Libris, Root Division, San Francisco, California. Curator: MicroClimate Collective.
    • Fukushima Biennale 2012, Fukushima, Japan. Curator: Koichi Watanabe.
    • Earth*Science*Art, R. Blitzer Gallery, Santa Cruz, California. Curator: Lisa Hochstein.
    • The New River: a journal of digital writing and art, Spring 2012, Virginia Tech, Virginia. Editor: Khalilah Boone
    • Man as Object: Reversing the Gaze, The Kinsey Institute Gallery, Bloomington, Indiana. Curator: Karen Gutfreund.
    • Artists' Book Cornucopia III, Abecedarian Gallery, Denver, Colorado. Juror: Tony White.
    • Bookstore, Drift Station, Lincoln, Nebraska
    • Florigenium, an anthology of digital poetics by Patricia Minks, University of Vienna, Austria
    • DYAD, Art Ark Gallery, San Jose, California. Curator: Valerie Raps.
    • FILE RIO 2012, Media Art Gallery, Oi Futuro-Flamengo, Rio de Janeiro, Brazil.
    • The Altered Book, Marin Museum of Contemporary Art, Novato, California
    2011
    • Encoded Structures: Interpreting the Story, Handmade & Bound, Watkins College of Art, Nashville, Tennessee.
    • Uncommon Threads, 23 Sandy Gallery, Portland, Oregon. Curator: Laura Russell.
    • 15th Anniversary Exhibition, San Francisco Center for the Book, San Francisco, California. Curators: Mary Austin & Kathleen Burch.
    • Man as Object: Reversing the Gaze, SOMArts Cultural Center, San Francisco. Curator: Tanya Augsburg.
    • The Asian Connection: Art in a Global Age; Asian Arts Gallery at Towson University, Towson, Maryland. Curator: J. Susan Isaacs.
    • The Electronic Manuscript. Curator: Judy Malloy.
    • Bibliophoria II, Sebastopol Center for the Arts, Sebastopol, California. Juror: Sas Colby.
    • FILE 2011, Galeria de Arte do SESI, São Paulo, Brazil.
    • Bookworks, San Francisco Public Library, San Francisco, California.
    • The Join and Cast Guide to Contemporary Art, Phoenix, Arizona.
    • Re-generation, selected works from the Web Biennial at Plato Sanat, Istanbul. Curator: Marcus Graf.
    • The Altered Book, Marin Museum of Contemporary Art, Novato, California.
    • Elemental, Krause Center for Innovation, Los Altos Hills, California.
    • Kindred Spirits, Butte College, Oroville, California.
    • Benefit, WORKS/San Jose, San Jose, California. Curators: Jennifer Campbell & Catherine Akins.
    • Dolled Up, Gualala Art Center, Gualala, California. Curator: Jane Reichhold.
    2010
    • IDEAS10: Art and Digital Narrative, IDMAA, Emily Carr University, Vancouver, Canada. Curator: Dena Eber.
    • Wild Culture: Ecological Perspectives, Roy C. Moore Art Gallery, Gainesville State College, Oakwood, Georgia. Curator: Beth Sale.
    • Bay Area Book Artists, Olive Hyde Art Gallery, Fremont, California
    • Illuminated Ark, Art Ark Gallery, Zer01 San Jose, San Jose, California. Curator: Valerie Raps
    • Identity, Roy C. Moore Art Gallery, Gainesville State College, Oakwood, Georgia. Curator: Beth Sale.
    • The Altered Book, Marin Museum of Contemporary Art, Novato, California
    • Proximity Mag 007
    • The Mythical State of Jefferson,The Schneider Museum of Art, Southern Oregon University, Ashland, Oregon. Curator: Michael Crane.
    • Show and Bestow, Clarence Ward Art Library, Oberlin College, Oberlin, Ohio
    • FLAT Journal. Editor: Karol Shewmaker.
    2009
    • Miniature Artists' Books by American Artists, Baku Biennale Aluminium, Baku, Azerbaijan. Curator: Suzanne Reese-Horvitz.
    • Visual Communication Quarterly, Volume 16, Number 3, July - September 2009, Special Edition: Analog Interactivity. Editor: xtine
    • Show and Bestow: the Ruth Hughes Collection of Artists' Books, Free Library of Philadelphia, Philadelphia, Pennsylvania
    • BookOpolis 09, Asheville Bookworks, West Asheville, North Carolina
    • soundsRite, University of Western Sydney, Austraila. Curators: Hazel Smith & Roger Dean.
    • Breaking the Space, Speculum Artium '09, Delavski Dom Trbovlje, Trbovlje, Slovenia. Curator: Evelin Stermitz.
    • Polyglot: Expressive Media in Book Arts, Gualala Arts Center, Gualala, California. Curator: Penny Nii.
    • Digital Art and Narrative, Computers and Writing 2009 Conference, UC Davis, Davis, California. Curator: Jonathan Alexander.
    • The Doll Show, Olive Hyde Art Gallery, Fremont, California.
    • Conversations, Dr. Martin Luther King, Jr. Library at San José State University, San José, California.
    • 100Quotes, RomaEuropa Fakefactory.
    2008
    • Dog-Eared, Purdue University, West Layfayette, Indiana.
    • The Art of Democracy, Booksmart Studio Gallery, Rochester, New York.
    • Balancing Perspectives: East Asian Influences in Contemporary Art, JFKU, Berekely, California. Curators: Mike Grady & Robert Melton.
    • Good Buy: Cruel World, Space 47, San Jose, California.
    • Portraits, Vino Locale, Palo Alto, California.
    • Art and Politics ‘08, The Showroom Gallery at Hub-Bub, Spartanburg, South Carolina.
    • DigitalArt.LA, Los Angeles Center for Digital Art, Los Angeles, California. Curator: Rex Bruce.
    • What Does Compassion Look Like?, ArtXchange Gallery, Seattle, Washington. Curator: Lauren Davis.
    • Visionary Landscapes, ELO, Vancouver, Washington. Curator: Dene Grigar.
    • 21st Stuttgart Filmwinter: Festival for Expanded Media, Stuttgart, Germany.
    • Meaning Maker, The Portland Art Center, Portland, Oregon.
    • Inscribing Meaning: Context of Text in Visual Art, GCSU Museum Focus Gallery, Milledgeville, Georgia. Curator: Shannon Morris.
    • The Qi Project, The Krause Center for Innovation Art Gallery, Los Altos Hills, California.
    • FILE Rio 2008, Oi Futuro, Rio de Janeiro, Brazil.
    • Meaning Matters: Projects from PreNeo Press, The Humanities Center Gallery, Chico, California.
    • Artist Residency, Kala, Berkeley, California.
    2007
    • Moving Cultures (. . . all over the map), Euphrat Museum, Cupertino, California. Curator: Jan Rindfleisch.
    • Crossroads, Rhonda Schaller Studio, New York, New York.
    • FILE 2007, Galeria de Arte do SESI, São Paulo, Brazil.
    • Corporate Art Expo '07, The Lab, San Francisco, California. Curator: Shane Montgomery.
    • cyber feminism past forward, Vienna, Austria. Curator: Evelin Stermitz.
    • Access, Rhonda Schaller Studio, New York, New York.
    2006
    • Pabellon dd, Juan Ismael Art Center, Puerto del Rosario, Canary Islands, Fuerteventura, Spain.
    • Bound to Inspire, Olive Hyde Art Gallery, Fremont, California.
    • FILE Rio, Telemar Cultural Center, Rio de Janeiro, Brazil.
    • The Art of Book Art, 1212 Gallery, Burlingame, California.
    • Launch: Projects by PreNeo Press, Krause Center for Innovation Gallery, Los Altos Hills, California.
    2005
    • The Encouraging Force of Nature, Coyote Point Museum, San Mateo, California.
    • FILE 2005, Galeria de Arte do SESI, São Paulo, Brazil.
    • Wiseman Gallery, Grants Pass, Oregon.
    • Thailand 3rd New Media Arts Festival, Bangkok, Thailand.
    • Shared Passions, Euphrat Museum, Cupertino, California. Curator: Jan Rindfleisch.
    • Descriptors, Merced College Art Gallery, Merced, California.
    • ebaybies, Humanities Center Gallery, CSU Chico, Chico, California.
    2004
    • Slippage: Wording the Thought Bubble, Works/San José, San José, California.
    • Beauty and the Beast, Athens Institute of Contemporary Art, Athens, Georgia.
    • Touch my Books, Los Gatos Museum of Art, Los Gatos, California.
    • A Book in Hand, Diablo Valley College, Pleasant Hill, California.
    • Publish or Perish at INFEST: Artists Run Culture, Open Space Resource Centre, Victoria, British Columbia.
    2003
    • Pabellon dd at Observatori 03, Valencia, Spain
    • Exit Gallery, University of Nevada, Reno
    • Intervals (forms and variatons on relational space), Artists Television Access, San Francisco, California
    • Interfacing Ideas, Blue Room Gallery, San Francisco, California. Curator: Erika Gentry.
    • Digital Visions, University of British Columbia, Canada
    • ChiangMai First New Media Art Festival, CMU Art Museum, Chiang Mai, Thailand
    2002
    • ISEA 2002, Nagoya, Japan
    • WORD PLAY: Electronic Flipbooks, Krause Center for Innovation, Foothill College, Los Altos Hills, California
    • 5th International Meeting of Experimental, Sound and Visual Poetry, Buenos Aires, Argentina
    • The Political Woman, WMG, Chicago, Illinois
    • SIGGRAPH 2002, San Antonio, Texas
    • Assumptions: Performative Texts, Serra House, Institute for Research on Women and Gender, Stanford, California
    • Electronic Literature Organization's State of the Arts Symposium Gallery, Los Angeles, California
    • 15th Stuttgart Filmwinter: Festival for Expanded Media, Stuttgart, Germany
    2001
    • Lasers in the Jungle: Humans & Technology, University of the Pacific, Stockton, California
    • New Media Connections, The Tech Museum of Innovation, San José, California
    • The Impact of YLEM, SOMARts, San Francisco, California
    • wigged.net, online venue for time-based art
    2000
    • Fuzzy Logic, Southern Exposure @ Project Artaud, San Francisco, California
    • 72nd Crocker Kingsley Exhibition, Crocker Art Museum, Sacramento, California
    • Book Nook, WORKS/San Jose, San Jose, California
    • Commission, from Tapestry & Talent of San José for creation and exhibition of Belief Manifesto
    1999
    • Artists' books, Art from Books, Sketchbooks, Sunnyvale Arts Center, Sunnyvale, California
    • ART-TECH @ West Valley, West Valley College Art Gallery, Saratoga, California
    • A Good Read. Selections from the book arts, Euphrat Museum, Cupertino, California
    • Digital Arts Pavilion, Palo Alto Festival of the Arts, Palo Alto, California
    • The Archaeology of Being, WORKS San José, San Jose, California
    1998
    • Psychic, Spiritual, Physical, and/or Emotional Baggage, The Luggage Store, San Francisco, California
    • Nothing But Time, Southern Exposure @ Project Artaud, San Francisco, California
    • Bound to Amaze You, Koret Gallery, Palo Alto, California
    • Art of the Digital Age, City Gallery, San Jose, California
    • Serious Play in Search of Meaning, Skyline College, San Bruno, California
    • A White Glove Affair, Los Gatos Museum, Los Gatos, California
    1997
    • Chik Tek '97: Women Artists Defining Technology, ART-TECH, San Jose, California
    • Bay Arts '97, Belmont, California. First Place Award.
    • Public Art Grant, San Mateo County Philanthropic Ventures Foundation
    Public and Institutional Collections
    • Achenbach Foundation for Graphic Arts, Fine Arts Museums of San Francisco, San Francisco, California
    • Bank Street Arts, Artists' Book Collection, Sheffield, U.K.
    • Baylor University, Waco, Texas
    • Book Arts Program at the J. Willard Marriott Library, University of Utah
    • Brown University, Hay Library, Special Collections, Poetry Collection
    • College Book Arts Association
    • Columbia College, Chicago, Illinois
    • Denison University, Doane Library, Special Collections
    • Duke University, Durham, North Carolina
    • George Mason University, Fenwick Library, Special Collections, Fairfax, Virginia
    • Maryland Institute of Art, Decker Library, Special Collections
    • Mills College, F.W. Olin Library, Oakland, California
    • Minnesota Center for the Book, Minneapolis, Minnesota
    • Museum of the Miniature Book, Baku, Azerbajian
    • New York Public Library, Schomburg Center, Special Collections, New York
    • The Oakland Museum of California, Oakland, California
    • Otis College of Art & Design, Library, Artist Book Collection
    • Pacific Northwest College of Art, Portland, Oregon
    • Peninsula Museum of Art, Burlingame, California
    • Queen Elizabeth II Library Special Collections, Memorial University, St. John's, Newfoundland
    • Ringling College of Art, Sarasota, Florida
    • The Ruth Hughes Artists' Book Collection, Oberlin College, Ohio
    • San Jose State University, King Library, Special Collections
    • San Francisco Center for the Book, San Francisco, California
    • Savannah College of Art and Design, Savannah, Georgia
    • Southern Graphics Council International
    • Stanford University Libraries, Stanford, California
    • Staatsbibliothek zu Berlin, Kinder, Berlin, Germany
    • The University of Akron, Akron, Ohio
    • University of California, Berkeley, Environmental Design Library, Special Collections
    • University of California, Davis, Library, Special Collections, Davis, California
    • UCLA Arts Library, Special Collections, Los Angeles, California
    • UCLA Darling Biomedical Library, Special Collections, Los Angeles, California
    • University of Colorado, Norlin Library Special Collections, Boulder, Colorado
    • University of San Diego, Copley Library, Special Collections
    • University of Utah Rare Book Archives
    • University of Washington Libraries, Special Collections
    • University of Wisconsin, Green Bay, Wisconsin
    • Washington State University Vancouver, E-Lit Collection
    Curation
    • Bay Area Book Artists. Menlo Park Library, Menlo Park, California, 2014.
    • Digital Humanities. New Works Festival, Palo Alto, California, 2013, with Tom Bruett.
    • Conceptually Bound 3. University Art Gallery, California State University, Chico and Mohr Gallery, Community School of Music and Art, 2007 - 2008.
    • Slippage: fragilities and instabilities in the phenomena of meaning. ISEA/ZeroOne San Jose, 2006.
    • Small Colored Squares. Humanities Center Gallery, CSU Chico, Chico, California, 2005.
    • Conceptually Bound 2. Coyote Gallery, Butte College, Oroville, California, 2002.
    • Conceptually Bound. 1078 Gallery, Chico, California, 2001.
    • Making Meaning: Banners & Icons by Kent Manske. Humanities Center Gallery, CSU Chico, Chico, California, 2000.
    • Narrative Structures. ART-TECH: Silicon Valley Institute of Art and Technology, San Jose, California, 1998, with Monica Vasilescu.
    Bibliography
    • J.R. Carpenter, "Translation, transmutation, transmediation, and transmission" TRANS.MISSION [A.DIALOGUE] Le laboratoire de recherches sur les oeuvres hypermediatiques, 2014.
    • Samira Nadkarni, "Storyland" I Love E-Poetry, February 2014.
    • Literary Gaming by Astrid Ensslin, The MIT Press, 2014.
    • Scott Rettberg, "Human Computation in Electronic Literature" Handbook of Human Computation edited by Pietro Michelucci, 2013.
    • Digital Prohibition: Piracy and Authorship in New Media Art by Carolyn Guertin, Continuum, 2012.
    • Contemporary Literature: The Basics, by Suman Gupta, Routledge, 2012.
    • Scott Rettberg, "Dada Redux: Elements of Dadaist Practice in Contemporary Electronic Literature" Fiberculture Journal, Digital Art & Culture Conference Perth, Issue 11, 2008.
    • Debra Koppman, "Moving Cultures at The Euphrat Museum of Art" Artweek, December 2007.
    • Sonia Easaw, "Exhibit pushes limits: Cultural boundaries confronted in latest exhibit at Euphrat" La Voz, October 2007.
    • Aimee Le Duc, "Corporate Art Expo Ô07 at The LAB" Artweek, June 2007.
    • Stephanie Ellis, "Corporate Art Expo Ô07" Stretcher, May 2007.
    • Todd Berman, "Meaning Maker at The Lab" The Art DonÕt Stop.org, April 2007.
    • Yasser Rashid, "Slippage" Furtherfield, August 2006.
    • Celeste Connor, "Bound to Inspire at Olive Hyde Gallery" Artweek, March 2006.
    • Theory Into Poetry: New Approaches to the Lyric edited by Eva Muller-Zettelmann, Eva Muller-Zettelmann Margarete Rubik, Rodopi, 2005.
    • Edith Decker, "Wiseman features prints, installation" Grants Pass Daily Courier, October 1, 2005.
    • MaryRose Lovegren, "Precious and Scary" Chico News & Review, March 5, 2005.
    • Megan Kumler, "Wylde at Merced College" Blue Devil's Advocate, March 2005.
    • Lauren Evans, "Dolling Up Online Auctions" The Orion, March 2, 2005.
    • Anita Amirresvani, "Tactile Texts" San Jose Mercury News, July 3, 2004.
    • Nora Raggio, "Slippage at Works" Works San Jose Newsletter, Spring 2004.
    • Elizabeth Joe, essay and interview, Digital Visions, May 2003.
    • neural.it, net.art review, April 2003.
    • Stuttgarter Zeitlung online, net.art review, January 2003.
    • Scott Brennan-Smith, "Reading Art" Chico News & Review, October 3, 2002.
    • Shannon Re, "Art You Can Touch" The Roadrunner, October 7, 2002.
    • Dena Eber, "SIGGRAPH 2002 Art Gallery: Process and Product" Computer Graphics, Vol. 36 No.3, Summer 2002.
    • Miki Kanai, Web Reviews n. paradoxa, Vol.10, 2002.
    • Sarah Ratchye, "Art at the Institute" Institute for Research on Women and Gender, Vol.27, No. 2, Spring/Summer 2002.
    • Zu Vincent, "Conceptually Bound at 1078 Gallery" Artweek, Vol. 32 No. 6, June 2001.
    • "Page Turners" Chico News & Review, Vol. 24, No. 39, 4/19/2001.
    • Melissa Gulden, "Practice What You Teach" The Orion, Vol.41 Issue 2, September 1998.
    • Terri Cohn, "Chik Tek '97 at Art-Tech" Artweek, Vol. 29 No. 2, February 1998.
    • Chiori Santiago, "Where serious art is child's play" San Jose Mercury News, December 21, 1997.
    • Ann Elliott Sherman, "Return to Gender" Metro , December 11, 1997.
    • The Application of a Feminist Aesthetic to Computer-mediated Art by J. Dawn Mercedes, Ohio State University, 1996.